Horizons: Maria Fux, far and beyond
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| "I'm not alone on a desert island and faces will be born as we watch them " |
Valentina compartment Dancetherapy
Milan, MI, Italy
www.metodomariafux.com
dance therapy @ ymail com
tel . 339 4805033
Valentina compartment is formed in Italian artist and dance therapy at the University of Buenos Aires Creative Dance of the Argentine choreographer Maria Fux. Holder of a scholarship for life at the namesake Studio, has completed the entire curriculum and the many years specialization in Argentina under the leadership of Maria Fux who also personally oversaw the supervision. After a long working experience in Buenos Aires is back in Italy and currently teaches in the city of Milan disclosing the method of Mary in the manner as close as possible to the teachings of Master creator of the original system rehabilitation
"To me, integration is essential. Be in dance therapy group, with people like us and people different from us opens the horizon and raises the individual person. We talk about integration, but actually what you do? I do integration, in my work. The dance therapy can be part of a process of cultural integration is also in Italy, I think so. " (Maria Fux)
Dancetherapy Supplementary addicts in prison
Milan, MI, Italy
www.metodomariafux.com
dance therapy @ ymail com
tel . 339 4805033
Valentina compartment is formed in Italian artist and dance therapy at the University of Buenos Aires Creative Dance of the Argentine choreographer Maria Fux. Holder of a scholarship for life at the namesake Studio, has completed the entire curriculum and the many years specialization in Argentina under the leadership of Maria Fux who also personally oversaw the supervision. After a long working experience in Buenos Aires is back in Italy and currently teaches in the city of Milan disclosing the method of Mary in the manner as close as possible to the teachings of Master creator of the original system rehabilitation
"To me, integration is essential. Be in dance therapy group, with people like us and people different from us opens the horizon and raises the individual person. We talk about integration, but actually what you do? I do integration, in my work. The dance therapy can be part of a process of cultural integration is also in Italy, I think so. " (Maria Fux)
Dancetherapy Supplementary addicts in prison
By Claudia Wittmann Therapist in dance therapy and psychomotor skills, Counselor in Gestalt
The integrative dance therapy is a form of therapy, as practiced in America since the '50s. On the method of support has developed more and more as a form of therapy independently. The basic ideas of the healing processes are generally very old and even today are extant in old cultures as a living tradition and natural.
greatest dancers and dance teachers have discovered that dancing is a possibility of realization of personality issues and gives expression to the feelings of a whole individual. This concentration on individual expression, of course excludes the use of technical goals. So it means, that since the exclusion of pre-established techniques, the human being will be represented in the dance as a whole (body-mind-soul). Is not the body that moves, but the "Leib" as he calls Hilarion Petzold (Director of the Gestalt in Germany). The "Leib (living body) include body size, psychological and mental health of human beings, with its integration into the social and ecological environment of life in the" life world "(Lebenswelt).
The integrative dance therapy is a form of therapy, as practiced in America since the '50s. On the method of support has developed more and more as a form of therapy independently. The basic ideas of the healing processes are generally very old and even today are extant in old cultures as a living tradition and natural.
greatest dancers and dance teachers have discovered that dancing is a possibility of realization of personality issues and gives expression to the feelings of a whole individual. This concentration on individual expression, of course excludes the use of technical goals. So it means, that since the exclusion of pre-established techniques, the human being will be represented in the dance as a whole (body-mind-soul). Is not the body that moves, but the "Leib" as he calls Hilarion Petzold (Director of the Gestalt in Germany). The "Leib (living body) include body size, psychological and mental health of human beings, with its integration into the social and ecological environment of life in the" life world "(Lebenswelt).
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| MALDI DRUGS ...!!! Photo by Pedro Rivas www.flickr.com/people/pedro-rivas/ |
When we speak of a human being alive, we can only speak of ' aspect of his body "Leib", because when you touch a person not only touches his body, but the whole person. Therefore, physical contact is not only a contact with the body, but made contact with any living person, with all the feelings, and all the memories of the person you touch. This means that the "report of having" I have my body, "can not pretend that the subject of this "have the body" is always the "Leib" (being the body).
Trudi Schoop, a pioneer of dance therapy said that the human being is a creative subject, with the ability, but also the duty, to create, and to train himself, his life and their world. The senses, which are the "envelope" key, you can make contact, and the reaction to the world. Through the senses, our world becomes a "sensual" and perhaps "full of meaning." Create individual expression through the perception of the sensuous impression, passing from the impression bodily expression body is the human ability and the duty to strive for particularly. Creative expression has its roots in the sensuality of the "Leib", in the capacity of the human being, to retain the impressions body corporate and being together in practice.
The addict, the relationship with the drug and the relationship with your body
The primary causes are the property of an individual person and not in reaction to pharmacological drugs. From this point of view, the problem is not drugs, but drugs as an attempt to un'autoaiuto that fails. Addiction is the only form of adaptation to which the employee may report, an attempt to cope with psychological stress, to regulate an intolerable intrapsychic disharmony and avoid the fall in total abandonment, into an abyss. With the help of drugs, mind you create a man-made embankment that replaces the functions of the ego, not fully developed as frustration tolerance, or defense against stimuli fear, pain and depression. Due to the lack of defenses healthy, strong, and sufficient, the employee is unable to react on the basis of his inner psychic forces, but only with drugs.
The use of drugs leads to a change in "Leiblichkeit", that feeling, the sense of the living body. Without describing these particular changes, one can say that the majority of drug addicts lose their sensitivity to themselves, do not hear what they need and who they are.
Under the influence of LSD can be seen, for example, disorders of the body schema. With the loss of contact with the body lack the experience of how far you can experience and contacts, thus missing important preconditions for the development of self, of identity and thus for change and growth.
With the use of drugs creates a confusion that brings with it a confluence of thoughts and images can not be controlled, which may cause feelings such as panic, fear, confusion, anger, and aggression, but at the same time there is an inability to express what they have perceived. In this regard the work on perception, as well as awareness and the expression is an important goal to achieve a better awareness and a genuine expression of self.
Under the influence of LSD can be seen, for example, disorders of the body schema. With the loss of contact with the body lack the experience of how far you can experience and contacts, thus missing important preconditions for the development of self, of identity and thus for change and growth.
With the use of drugs creates a confusion that brings with it a confluence of thoughts and images can not be controlled, which may cause feelings such as panic, fear, confusion, anger, and aggression, but at the same time there is an inability to express what they have perceived. In this regard the work on perception, as well as awareness and the expression is an important goal to achieve a better awareness and a genuine expression of self.
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| HISTORY WE Photography by Cinocino www.flickr.com/people/cinocino/ |
Because dance therapy in prison?
A person who has committed a crime is always a human being who has reacted in a moment of imbalance. When she arrived in prison, it often happens that they stop time, the feelings and perspectives. The prison, however, should be the place to which a person stops, but in an active way, because you listen to, and where it should be able to hear, understand and recognize the real problem that lurks behind his crime.
The dance therapy that works with the principles of Gestalt, of course, can not only have the goal of a life after prison, but he sees the human being in its "here and now" in his relationship with himself and the environment, and therefore works strongly on the feelings, fears, and joys, that a person lives in their own time, on the person's awareness. Why an individual, who seeks a way out of an unbalanced life, aspires to a "Selbst-Gefuehl" (sense of self) and an identity that is based on the totality of body, mind and soul. And this is only mental and physical harmony if the human being and productive lives a conscious orientation towards the world.
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| CAPRAIA, prison Photo by Alessio Valente www.flickr.com/people/alessio977/ |
The objectives of dance therapy for drug addicts in prison:
- restimulated the ability to perceive, to listen to himself and others to restore
- 'human being the opportunity to be back in himself and in his world
- awaken the expressive capacity to recreate the creative potential of symbolism and aesthetic capacity of a sensual "Dasein" (being in the world)
- teach techniques for a deep breath and quiet
- experience with space, time, rhythm, and flow of movement.
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| JAIL BOLLATE Photography by Amedeo Novelli www.flickr.com/photos/amenove/sets/ |
In dance therapy with drug addicts in prison, work on awareness is crucial. Bodily sensations bring addicts into contact with feelings hidden, hidden for fear of feeling pain, suffering, but also with feelings of joy, love, prosperity, never lived deeply and intensely. Discover your desire, the need in the here and now, in the movement, both in improvisation, which in Gestaltung (give form to an improvisation, so that will have a beginning and an end and will be repeated), gives the option, the detainee / addict, to be more clear with himself and with others, to realize their own mechanisms to others, to take responsibility for their actions, to grow and change.
The dance therapy, thus, can help, through a body work, to rebuild the psycho-physical balance and to help you become aware of their difficulties, but also their capacity. Being able to live in balance, how to deal with the beautiful moments, but even with the bad times of this life, can help a person to capitalize on the period of his life in prison and to regain the strength for a life of freedom, a satisfying life and full of sense!
Thanks kindly connects to the text,
Claudia Wittmann
Oak Street, n ° 20 06065 Passignano sT / PG
Tel: 075/829008 E-Mail: claudiawi@libero.it
Thanks kindly connects to the text,
Claudia Wittmann
Oak Street, n ° 20 06065 Passignano sT / PG
Tel: 075/829008 E-Mail: claudiawi@libero.it
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| FUX MARIA SPANISH DANCE AT THE HEART OF BUENOS AIRES Photography by Andrea Angeli www.angeliandrea.com/ |
Prof. Valentina compartment
Phone: 339 4805033
of dance lessons for adults, children, third and fourth age, disability, psychiatric distress, anxiety disorders, actors, dancers, training workshops for teachers and music education to correct bad habits in listening to music and develop a greater sensitivity in perception of sound. Improvisation techniques for the body and bodily action: methodology Maria Fux, this system is the most complete and satisfying for everyone who uses improvisation and creativity as a tool for work or for anyone who needs access to the movement through emotion and non-repetition, the only way to generate change. As an added benefit for everyone to enjoy the pleasure of moving one's body without a choreographic patterns, by vibrating their inner world in total freedom in relation to space and content group, but always by the millennial experience of dance.
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